Blackbeard is said to have roamed the waters of the Roanoke Sound and rumored to have lost buried treasure beneaththe shifting sands of Nags Head’s giant dune, Jockey’s Ridge. The carcasses of boats from the Civil War and two world wars sit abandoned on the floor of the Atlantic, a few miles off shore.
Though some credit the name Nags Head to shipwrecked sailors hailing from a town of the same name in England, those who love the area favor the tale, recorded in the mid-19th century by a writer from Harper’s New Monthly Magazine, of pirates roaming the beach at night with a lantern tied to the neck of an old nag, trying to lure ships into the shallow waters near the breakers. In the center of it all is the village called Nags Head.
Established in the 1830s as North Carolina’s first tourist colony, it soon became a summer destination for families living within a day’s boat ride across the Roanoke Sound. Perquimans County planter Francis Nixon is credited with bringing his family to the area in 1830 to escape from malaria prevalent in the fields back home. 
Herdsmen, fishermen and ship salvagers shipwrecked on the barrier island once upon a time, the Bankers built huts in the flats — wooded areas at the base of a line of large sand dunes — earning their living by farming and salvaging wood and other items from sinking ships offshore. The first tourists brought a boon to the Bankers, who sold fresh vegetables and fish to the summer families, even carrying well-dressed ladies to the ocean in horse-drawn carts over a sound-to-sea boardwalk.
The first oceanfront cottage was built here around 1855 by Dr. W.G. Pool of Elizabeth City. Pool is said to have bought 50 acres of oceanfront property for $30 from the Midgetts, a family of Bankers still living in the area today. Pool divided the lots and sold them to the wives of his friends back home for a dollar apiece, and the Unpainted Aristocracy, a mile-long stretch of oceanfront cottages, was born. The Unpainted Aristocracy has stood sentry against the changing tides of the Atlantic Ocean for more than 130 years. Known officially as the Nags Head Beach Cottage Row Historic District, the collection of close to 40 historic structures is one of the Tar Heel state’s little-known historic secrets, though it has been on the National Register of Historic Places since 1977. The Unpainted Aristocracy has provided a porch rocker’s view of history. The vacationers who were first to build cottages along the oceanfront lived in virtual isolation for nearly 100 years. They packed their bags for home on Labor Day and, because most structures among the Unpainted Aristocracy had no heat, they didn’t return until Memorial Day the following summer.
In time, some of Nags Head’s older structures fell into disrepair and were replaced by new cottages with more modern conveniences. Yet devotees to the historic beach life that Nags Head provided continued their efforts to preserve their beloved cottages. Visitors are within an hour’s drive of Cape Hatteras and just minutes away from Jockey’s Ridge State Park and the Wright Memorial, where North Carolina is hosting a year-long celebration of the 100th anniversary of man’s first flight. Within short driving distance are several historic lighthouses, the N.C. Aquarium on Roanoke Island and the Outer Banks History Center, where visitors can find a wealth of historic photographs and documents that explore the area’s early history.
Cottage Row, however, has remained much the way it was 75 years ago. Though all the structures now have running
water, many don’t have heat and are air-conditioned the Nags Head way — by the ocean breeze. Into the 21st century, the cottages of the Unpainted Aristocracy continue to be the summer homes to some of North Carolina’s oldest families, many of whom gather to preserve a tradition begun five generations before. Though fire, age and even flooding hurricanes have claimed a few among their ranks, many have by design withstood time, wind and change. Nine of the original baker’s dozen Nags Head cottages still stand, and others join them, facing the breakers with majesty and history, their graying shingles marking time between the tides, their porch steps welcoming new generations of families summer after summer.